How many MiniMax H3 keyframes can I upload here?
The current First and Last Frame mode accepts two controlling keyframes: one opening image and one ending image. For more storyboard points, generate a sequence of connected shots.
Upload a first frame and a last frame, then describe the action, camera movement, and pacing that should connect them. This MiniMax H3 keyframe workflow controls two visual endpoints while the model generates the continuous transition between them.
Preview video - Generate your own video above
This unmodified H3 Max output begins from a fixed wedding frame and develops one continuous action toward a deliberate ending beat. It demonstrates the motion, camera, continuity, and endpoint language to use when directing a first-and-last-frame transition.
The current generator controls two keyframes: the opening image and the closing image. The prompt directs how the shot travels between those endpoints.
Upload the exact opening composition. Use a clear subject, readable pose, intentional framing, and enough background detail to support motion.
Upload the intended destination of the shot. Keep the subject identity, aspect ratio, visual style, and scene logic compatible with the first frame.
Describe the action and camera path in time order, then state the continuity details that must remain stable from the opening to the ending.
Start in First and Last Frame mode, prepare compatible endpoints, and direct one achievable shot between them.
Choose an image that clearly establishes the subject, environment, camera angle, lighting, and opening pose.
Add the target composition in the last-frame slot. Match the aspect ratio and preserve the visual details that should remain consistent.
Write what changes first, next, and last. Include subject motion, camera movement, environmental motion, sound, and the intended arrival at the final frame.
Review endpoint similarity, motion continuity, identity, and pacing. Change one major input or direction at a time when creating the next version.
The online tool accepts a first and last frame for one generation. For a multi-keyframe sequence, split the storyboard into connected shots and reuse each endpoint deliberately.
Turn a longer idea into short shots, each with one clear action arc and two endpoint frames instead of forcing several scene changes into one clip.
Use the last frame of one shot as the first frame of the next when you want visual continuity across the edit.
Generate each transition separately, select the strongest takes, then join them in an editor for precise timing, sound, and shot order.
Two visual endpoints are most useful when the destination matters as much as the opening action.
Define the before and after states of a character, object, material, season, or environment while directing the change between them.
Plan a push-in, orbit, crane, reveal, or match move that begins and ends on intentional compositions.
Connect two storyboard panels to explore blocking, pacing, screen direction, and whether the planned shot reads clearly in motion.
Start with a concealed or wide product view and finish on a deliberate hero angle while keeping shape, materials, and branding stable.
Guide a character from one readable pose to another with a prompt that explains the physical action and camera behavior.
Build a longer piece as several first-and-last-frame generations with shared boundary images and consistent visual direction.
Understand the current first-and-last-frame controls, input preparation, prompting, and storyboard approach.
The current First and Last Frame mode accepts two controlling keyframes: one opening image and one ending image. For more storyboard points, generate a sequence of connected shots.
The images strongly guide the endpoints, but exact pixel-level reproduction is not guaranteed. Compatible framing, identity, lighting, and scene structure usually create a more coherent transition.
Use the same aspect ratio and subject design, keep the change physically achievable, and avoid contradictory viewpoints, lighting, object counts, or environments unless the transition explains them.
Describe the opening action, intermediate movement, camera path, and final arrival in chronological order. Add concise continuity constraints for identity, wardrobe, props, style, and location.
Not as separate uploaded control points in the current online form. Break the storyboard into adjacent first-and-last-frame shots, reuse boundary frames, and assemble the clips afterward.
Yes. The generator also supports text-to-video, first-frame generation, image references, and multimodal references. First and Last Frame appears first because it is the focus of this page.
Upload your opening and ending frames, direct the transition, and generate a continuous video between them.